Lowell’s (Robert Lowell, “Skunk Hour”) view of nature …
The book's final section escapes from "91 Revere Street." The movement from prose back into poetry emphasizes the properties of a poem as a poem. The "truth" of experience (that is, of prose) is set in a tension with the artifice of poetry. But both are concerned with the issue—indeed the drama—of form. While working on these poems, Lowell says he came to "have a certain disrespect for the tight forms." Regularity "just seemed to ruin the honesty of sentiment, and became rhetorical; it said, 'I'm a poem.'''
free essay on Robert Lowell On Skunk Hour The Stinky Criticism
Poems are very delicate and personal works of . All poets go to great lengths to achieve the results they desire when writing a poem. A majority of poems are works of literature that are dedicated to someone or something in some way or another. Some might not physically express that a poem is dedicated to someone, but the characters or the plot in the poem could symbolize a person that only the receiver of the dedication would realize. Both and Robert Lowell dedicated poems to each other. Both poems use animals to represent symbols, or could possibly represent each other; however, no one knows the answer for sure except the poets themselves: Bishop and Lowell. From the meanings and symbols found in their poems, one could find the missing link to understanding how the poems are very much similar.
From "On Skunk Hour," in Robert Lowell: A Collection of Critical Essays, ed. Thomas Parkinson (Englewood Cliffs, N.J.: Prentice Hall, 1968),131-132.
Skunk Hour, by Robert Lowell In ..
Death fades family names and disintegrates the hallmarks of prestige, and privilege can't help you see. Lowell's best work knows this. The poetic tradition has its own relationship with privilege: the history of poetry, crudely seen for years, was the history of those with the power and leisure to write it, white men. Lowell easily found his place in this history of poetry while he was alive. Maybe it's time to let his work teach us about the history of the person instead. Lowell's sonnet about Robert Frost from History has something to do with both—the poem crosses a moment of poetic inheritance with personal feeling. Lowell's trying to find words for the actual mania he suffered, and it throws the expected patriarchal bonding with Frost a bit off-kilter:
A Literary Analysis and a Comparison of Skunk Hour by Robert Lowell …
Crawford was settled on the Great Plains of Nebraska in 1886. According to historians, Crawford was a very wild town, and was home to many saloons and brothels. In fact, Calamity Jane came to Crawford from Deadwood, South Dakota with ten dancing girls and set up a tent south of town. There were also a number of murders that took place in Crawford, most involving soldiers from Fort Robinson. Despite all the lawlessness, the First Congregational Church managed to gain a foothold in the town from the beginning. The first service, in 1886, was held in a tent partially occupied by a storeroom for feed, and in another corner was a barber chair. Recipes in this early Nebraska cookbook include musk melon preserves, corn fritters, lmon pie, Thanksgiving cake, German custard pie, Miss Harmon's roast chicken, etc. Handwritten recipes to memo pages (also 19th c.) for corn cakes & salmon loaf. Rare. $300.
New Selected Poems by Robert Lowell
If I admired the poem before, why should the literal truth cause me to change my mind? Shouldn't I continue to admire it as a poem? But how would I feel if, after many readings of Life Studies, I learned that Lowell had had a wonderfully happy childhood, never suffered from manic breakdowns, had always made his home in Iowa, and never even visited Boston or Maine?
Robert Lowell Collected Poems Essays | GradeSaver
1) Because the art does change, unless we can wholly separate it from its creator.
2) Because the allure of this particular piece of art—Life Studies—was the promise of the personal, since we were carefully led to believe we were getting "the real Robert Lowell."