A man must make his opportunity, as oft as find it.
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FRANCIS BACON, Advancement of Learning
Fusion Art is pleased to announce it is now accepting entries for the 3rd Annual “Landscapes” international online art competition. For this competition artists, worldwide, are ...
i would like to make it as a essay . that is 4 parts essay .
and i would like u to put this question also
elaborate on bacon views of similes and metaphor to enplane is concept of studies ?
the prose name is -“of studies”
writen by -“francis bacon”
If we do not maintain Justice, Justice will not maintain us.
It would be an unsound fancy and self-contradictory to expect that things which have never yet been done can be done except by means which have never yet been tried.
FRANCIS BACON, speech in Overbury murder case, Nov. 1615
There is in man's nature a secret inclination and motion towards love of others, which, if it be not spent upon some one or a few, doth naturally spread itself towards many, and maketh men become humane and charitable, as it is seen sometimes in friars. Nuptial love maketh mankind, friendly love perfecteth it, but wanton love corrupteth and embaseth it.
Location: , 23 Old Bond Street, London W1S 4PZ, UK
is delighted to announce In Homage, an exhibition of seminal artworks by modern and contemporary masters including Francis Bacon, George Condo, Martin Kippenberger, Sigmar Polke, Richard Prince and Andy Warhol, with paintings referencing masterpieces by Velázquez, Picasso, Baselitz, Ernst, Goya, Munch and de Chirico. Exploring the ways in which artists have been influenced by their predecessors, In Homage goes beyond a comparison of imagery to look at the affinity between the artists’ stylistic approach and painterly process.
Dates: 27th June – 8th August, 2014
This complete text of Essays of Francis Bacon is in the public domain.
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In Disquieting Muses (After de Chirico), 1982 Andy Warhol takes as his subject matter de Chirico’s most iconic work, to pay homage to the predecessor of his own aesthetic of self-appropriation. Giorgio de Chirico first painted Disquieting Muses during his seminal Ferrara Period (1915-1918). He subsequently made several copies, emphasising that the idea expressed within the painting was of value not the object itself, therefore he saw no problem in making reproductions of his own works. Through his appropriation of de Chirico’s most famous painting, Warhol emphasizes the affinity between the artists in their stylistic approach: “de Chirico repeated the same images throughout his life. I believed he did not only do it because people and dealers asked him to do it, but also because he liked it and viewed repetition as a way of expressing himself. This is probably what we have in common.”
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Taking as its focus six select paintings, In Homage demonstrates the importance of the relationship between artists and the influence this has on the formation of the their individual style and creative process. As Picasso so eloquently said: “We, the painters, are the true heirs, those who continue to paint. We are heirs to Rembrandt, Velázquez, Cézanne, Matisse. A painter always has a father and a mother; he doesn’t emerge out of nothing.”