Phantasmaphile (Colquhoun essays in architectural criticism)

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An 'object' is a work of architecture that is expressly cut off from its environment. Objects are not exclusive to any particular architectural style, but objectification has long been central to western architecture. Indeed, it might even be said to be the very strategy by which modernism succeeded in conquering the world. It is all-pervasive because it is consistent with the aim of the prevailing economic system: to transform virtually everything into a commodity.

Essays in architectural criticism Research paper Academic Se

Collected essays in architectural criticism - Homework Acade

In this collection of meditations on what Baudelaire championed (and Michael Fried chastised) as presentness, Lavin investigates the convergence of notions such as liveness, the provisional and the obsolete in revealing qualities of the contemporary. Three sets of essays explore different forms of architectural time, particularly as they shape the differences between history, theory and criticism as genres of writing.

Architectural essays Term paper Academic Writing Service

Tim Holert intends to reframe and re-imagine design in post-capitalist terms. By tracing the appearance of the term ‘design’ in contemporary critical theory he develops an optimistic micro-political approach, which tries to go beyond well-rehearsed figures of critique, namely, those accusing design of being complicit with capitalist commodification and, ultimately, exploitation. With the help of a 'weak theory' built upon small-scale endeavours of networked solidarity, this text argues for design's microprocessual capacity to engage with the local and the particular.

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AESOPIC LANGUAGE: In Russian criticism, the name for oppositional political writing hidden in circumlocution, fables, and vague references so that it can bypass official censorship (Harkins 1). The term refers to Aesop's Fabula, a collection of beast fables in which simple stories about animals contained morals or messages "between the lines," so to speak. The coinage of the term comes from Saltykov, who is both the first to use the term in this sense and the one whom many modern Russian critics consider the best example of such writings (Harkins 1).

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AESTHETICISM: (1) In general, any literary movement that encourages critical or artistic focus on the experience of beauty rather than focuses on didactic messages or seeking truth. (2) More specifically, a Victorian literary movement in the 19th Century spearheaded by Walter Pater. Pater believed the goal of art was to make those experiencing it live their lives more intensely and encourage the pursuit of beauty.

Abstracts « Ireland and Ecocriticism

HIDE: Skin as Material and Metaphor includes insightful essays by noted art historians and critics that investigate the multiple layers of meaning behind the concept of skin and show how this symbolism emerges in contemporary Native art. The essays are accompanied by stunning illustrations of art and photography in a beautifully designed volume of work. Featured in the exhibition and book are three installation artists: Sonya Kelliher-Combs (Iñupiaq/Athabascan), Nadia Myre (Anishinaabe), and Michael Belmore (Ojibway), and five photographers: Arthur Renwick (Haisla), KC Adams (Métis), Terrance Houle (Blood), Rosalie Favell (Cree Métis), and Sarah Sense (Chitimacha/Choctaw).