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Impact of movies on youth essay

Even the most helicoptering parent will admit that some children, adorable though they are, must simply be born bad. Not their children, of course. But these other barbaric youngsters—rebellious, foul-mouthed, sometimes just pure evil—always make it to , from James Dean in Rebel Without a Cause to the NYC hellspawn of Kids (and all manner of demonically possessed tykes in between). Time Out New York has collected the most shocking of these movies about youth and rebellion and ranked them in a countdown of atrocious behavior. Our only parameter: They must be teens and younger, not twentysomethings. Thankfully for all audiences, these make the rest of us look good.

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His name is Alex and his hobbies are rape, home invasions and a bit of the old ultraviolence. Anthony Burgess’s 1962 novel, about a dystopic Britain overrun with rampaging teens, used extreme behavior to examine freewill. So does Stanley Kubrick’s adaptation—but not before turning Alex into a cinematic icon and stylizing his gang’s criminal activities in the most impossibly exciting, epically irresponsible manner. The result directly influenced the aesthetics of punk and was eventually withdrawn from circulation in the U.K by the director himself. But what makes A Clockwork Orange such an exemplary kids-run-wild film is the way it distills youth culture’s low points—from mods-versus-rockers rumbling to Manson-family terrorizing—into one nightmarish worst-case scenario and then forces you to share in the rush. No other movie has made youthful immorality seem so dangerously wanton, even as it criticized a society that could produce such a scourge. Thanks to a master filmmaker and his charismatic lead, the vicarious thrill of wallowing in Alex’s bad behavior still has the power to awaken the inner droog in all of us—whether we like it or not.—David Fear

Various forms of media, such as the television, radio, newspapers, movies, magazines and most notably, the internet, have impacted heavily on the youth.

By the time this tale of disaffected teens was released in October 1955, it had been beaten to the punch by The Blackboard Jungle and James Dean was dead. But it was Nicholas Ray’s movie that posthumously made Dean a star and, more importantly, gave youth defiance its first poster boy. Though it’s full of antisocial acting out, switchblade fights and hot-rod games of chicken, Rebel actually lays the blame at the feet of parental misguidance. These kids are bad because they’re misunderstood by an adult world ill-equipped to meet their needs, and thanks to the sensitive portrayals from Natalie Wood, Sal Mineo and Dean, you could almost believe it’s true. Dean’s insolent pose would launch a thousand moody tough guys; the movie would help kick-start a youth revolution.—David Fear

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