Jean-Paul Laurens’s painting, (1882; Hermitage, St.
Elliott Hundley received his MFA in 2005 from UCLA and currently lives in Los Angeles. He graduated from the Rhode Island School of Design with a BFA in printmaking in 1997 and also attended the Skowhegan School of Painting and Sculpture in 2002. His drawings and collages have been shown in group exhibitions in New York at Daniel Reich Gallery and Andrea Rosen Gallery, and in Los Angeles at Cherry and Martin, Regen Projects, and Peres Projects. His work is found in several important collections, including those of the Museum of Modern Art, New York; the Solomon R. Guggenheim Museum, New York; and the Museum of Contemporary Art, Los Angeles. This is Hundley’s first solo museum exhibition.
Its beauty comes from the fact that the author is what he is.
Richard grasped that the key to China lay with the literati, the scholarly class that produced the empire’s policy makers. He dressed as they did, learned their language and studied the texts that formed the core of their education. As for Mrs. Little, her main strategy was to republish anti-foot-binding essays by distinguished Chinese writers.
The system, though, articulated by the more academic art historians and critics, operating hand–in–hand with the art market which was only interested in money and not meaning, effectively absorbed all attempts at subversion and revolt into a neutral, palatable, only occasionally mildly offensive history of art of the kind encountered today in art history textbooks.
For some, abstraction was a path to another goal.
The abolition of foot-binding didn’t come about without backlash. Far from it. Yet reform, if handled deftly, can brave the backlash and prevail. Once you grasp the elements that made for success against foot-binding, you can see examples around the world of what to do and what not to do. In 1997, in the village of Malicounda Bambara in Senegal, a group of women told a press conference that they were going to abandon female circumcision, or female genital cutting (F.G.C.). The decision was a result of discussions that began some years earlier, when Tostan, a human rights group based in Dakar, introduced its Community Empowerment Program. Tostan’s aim wasn’t to end F.G.C. It was to provide people in the community with knowledge about human rights. But gradually, through the course of discussions of health and human rights, both women and men in Malicounda Bambara turned against F.G.C.
How Art Can Be Good - Paul Graham
This isn’t a complete explanation of the campaign’s stunning success, of course. The particular circumstances of late Qing China mattered a great deal, too. Over the previous several decades, a society that had long regarded Westerners with contempt had to accept that these foreigners, however culturally inferior by Confucian standards, could beat it in battles on land and sea. Part of the reason the modernizers like Kang Youwei were drawn into dialogue with Westerners like Timothy Richard was precisely their sense that their society was failing to meet the challenges from abroad.
2018 David A. Garfinkel Essay Scholarship: Stolen Art
Indeed, the moment that an artist takes notice of what other people want, and tries to supply the demand, he ceases to be an artist, and becomes a dull or an amusing craftsman, an honest or a dishonest tradesman.
“Material objects” include items with physical substance
Since the 18th century, the modernist belief in the freedom of expression has manifested itself in art through claims to freedom of choice in subject matter and to freedom of choice in style in terms of choice of brushstroke and colour.