PANTOUM: A variant spelling of pantun (see below).

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“I miss the times when I was really free.” Some beautiful

Now, the long carbonic reach of industrialized society is quickly wiping out one of the toughest creatures on earth, a species that’s hard-wired to the polar desert and cannot adapt.

It's a whole new world.  Let’s be brave and tell the truth as much as we can.  Anohni x

Goodbye, dear Edwige, butch elegance, punk legend.

Two paintings by Antony are now on view at the in Paris as part of an exhibition curated by Robert Wilson from the Watermill collection. The show, entitled "Living Rooms", also includes work by Paul Thek, Robert Mapplethorpe, Peter Hujar, Kiki Smith, Dash Snow, Clementine Hunter, Malick Sidibe, Larry Clark, Frank Lloyd Wright, C. Opie, Man Ray, and a pair of Marlene Dietrich's shoes.

photo of Edwige, Antony and Tilda Swinton NYC 2012 by Chuck Fiorello

"In every deliberation, we must consider the impact on the seventh generation..." —Great Law of the Iroquois
The Seventh Generation originated with the Iroquois when they thought it was appropriate to think seven generations ahead (a couple hundred years into the future) and decide whether the decisions they make today would benefit their children seven generations into the future.

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Kazuo's last international performance was Requiem for the 20th Century, at the Japan Society in New York in 1999. His 101st birthday was marked by the Japan Society with a butoh festival including performances by Yoshito and an array of younger dancers.

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Earlier this year, I visited the Kazuo Ohno dance studio in Yokohama, established some 60 years ago, and collaborated with Yoshito on a performance celebrating his father's life and work. At Ohno's bedside, I witnessed a surprising vitality and sensed an almost invisible movement reverberating through his elderly frame. As he lay there, his window open to reveal a cherry blossom tree and a view of Mount Fuji, I realised that Ohno had developed a creative process that was a byproduct of his spiritual practice. Yoshito told me during my visit to the studio that they aspired to total freedom in their dance, and that it emerged from a place of universal love.

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As a teenager in 1987, I stumbled across an image of Ohno on a peeling poster in the streets of Angers in north-west France. Captivated by this mysterious portrait, I placed the picture above my bed, where it has remained to this day. As I discovered more about the artist and his work, Ohno's dance and philosophy became a source of great inspiration to me. In 2009, I featured a portrait of him on the cover of my album The Crying Light.

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His first piece to gain international attention was Admiring La Argentina in 1977, directed by Hijikata, in which he paid a dreamlike homage to Mercé. The production won the Dance Critics' Circle award in Japan. Ohno frequently danced with his son Yoshito, and they performed together in works such as My Mother, Water Lilies and The Dead Sea.

RING-GIVING: See discussion under .

Ohno shed all social constructs in pursuit of essence, believing that "form comes by itself" wherever there is spiritual presence. His revelations of love, pain and ghostly innocence were conveyed with the intuition of a great elder.